In the last post, I coded Steve Reich's Clapping Music. Seeing how a compositional procedure can be translated into code is interesting -...

In this next series of posts, I will recreate 2 minimalist classics: Steve Reich's Clapping Music and Philip Glass's 1+1. These are not...

When generating random melodies in the previous post, I didn't randomly select integers to represent notes. Instead, the integers...

Yes, I know, I'm 3 posts into a new piece called Uniform Waves and I haven't even started writing it. I'm not procrastinating. It just...

In the previous post, I created some movie music with a collection of 6 randomly generated notes. How is it possible to use randomly...

In the previous post, the difference between random permutation and uniform distribution was explained. By the end of it, you might have...

In the previous series of posts, in which Shuffled was created, I relied exclusively on random permutation to make pitch determinations....

The piano piece is nearly complete. I'd like to add one last section, which will offer a new material. In a previous post, I mentioned...

In Part 3 of this series, I demonstrated how code can be reused, even when the resulting music is superficially quite different. The next...

The piano work under construction started with randomly permuted notes in the lowest register of the instrument played with an even...

As mentioned at the end of Shuffled: Part 1, the first 6 bars of this piece includes many fixed elements. The question now is which ones...

It is well known that computers assist musicians daily in creating music. Every song on the radio today is the result of recording,...